No man's
land
Robert Sandall
The Pink
Floyd were on course for psychedelic pop stardom until
their frail visionary fell in with "some heavy, loony, messianic, acid
missionaries." After that he was being locked in the linen cupboard.
DG: I noticed it around the time the Floyd were
recording See Emily Play. Syd was still functioning
OK then, but he definately wasn't the person I knew.
He looked through you. He wasn't quite there.
RW: We were supposed to do a session for the BBC one Friday, and Syd didn't turn up. Nobody could find him. He went missing
for the whole weekend and when he reappeared again on the Monday, he was a
totally different person.
JB (June Bolan): [Blackhill
Ents' secretary, later Mrs
Marc Bolan] I went through all Syd's
acid breakdowns. He used to come round to my house at five in the morning
covered in mud from Holland Park when he'd freaked out and the police chased
him. He used to go to the youth hostel in Holland Park, get wrecked and spaced
and walk to Shepherd's Bush where I was living.
JM (John Marsh) [Floyd lighting man]: He lived for a time in a flat in the
Cromwell Road with various characters, acid-in-the-reservoir, change-the-face- of-the-world acid missionaries. Everyone
knew that if you went round to see Syd, never have a
cup of tea, never take a glass of water unless you got it yourself from the
tap, because everything in that flat was spiked.
PJ: 101 Cromwell Road was the catastrophic flat where Syd
got acided out. He had one of our cats and they even
gave the cats acid. I don't think they were evil geniuses deliberately trying
to fuck with Syd's mind,
they were just heavy, loony messianic acid freaks. As soon as we realised what was going on we moved him out of Cromwell
Road into a flat in South Ken, where he lived with Storm and Po (Thorgerson and Powell, Hypgnosis),
but by then it was too late.
JB: One of the last British gigs Syd played with
Floyd was the Technicolor Dream at Ally Pally. First
of all we couldn't find Syd, then I found him in the
dressing room and we was so gone. I kept saying, Syd, It's June. Look at me. Roger
Waters and I got him on his feet, got him out to the stage. We put the white
Stratocaster round his neck and he walked on stage and of course the audience
went spare because they loved him. The band started to play and Syd stood there, he just stood there, tripping out of his
mind. They did three, maybe four numbers and we got
him off. He couldn't stand up for a set, let alone do anything else.
NM: Syd went mad on the first American tour in
the Autumn of '67. He didn't know where he was most of
the time. I remember he de-tuned his guitar on stage at Venice, LA, and just
stood there rattling the strings, which was a bit
weird, even for us. Another time he emptied a can of Brylcream
on his head because he said he didn't like his curly hair.
JM: Some A&R man was taking them around Hollywood for the classic tour
of stars' homes, and Syd's wandering around the
place, wide-eyed, and reckless. Gee, he says. It's great to be in Las Vegas.
JMe (Jonathan Meades)
[then a RADA student, now author and restaurant critic]: In late '67 Syd Barrett and some other people, one of whom I knew,
lived in Egerton Court, a mansion block opposite
South Ken tube station. I went there at the time when Syd
had either just left the band or was ready for the final heave-ho. Syd was certainly the crazy of the party and one got the
impression that he was also rather disliked. There was this terrible noise. It
sounded like heating pipes shaking. I said, What's
that? and my friend sort of giggled and said, That's Syd having a bad trip. We put him in the linen cupboard.
RW: We
ended up living together in a flat in Richmond in early '68. The five- man band
idea really wasn't working out, but we couldn't bring ourselves to tell him. So
when I went off to play gigs, I'd tell Syd I was
going out to get cigarettes. It was awful.
JF (Jenny Fabian) [starfucker author of
Groupie]: Syd was so beautiful, though I only ever
lay beside him, nothing more could be accomplished. I only hung around him for
two or three weeks just before he flipped. Years later I found him again,
living in a room in a flat in Earls Court. He was sitting in a corner on a
mattress and he'd painted every other floodboard
alternate colours, red and green. [Cover
of Madcap??] He boiled an egg in a kettle and ate it. And he listened
over and over again to Beach Boys tapes, which I found a bit distressing. He
was still exactly the same, only now he was Syd
Barrett the has-been rather than Syd Barrett the
star.
NM: Whether it was attributable to bad acid, bad trips, I don't know. I
actually think there was some sort of damage there to start with.
PJ: It was his latent madness which gave him his creativity. The acid
brought out the creativity, but more important, it brought out the madness, and the darkness in his personality. The creativity
was there, smoking dope was enough to get it going. What happened was
catastrophic. All his talent came out in this great flood; then it burnt out.